I wanted to comment about two images I saw in the news recently. The first from the image bellow which was about the recent Abu Qutada story. The story was about the fact that he is considered a threat to the U.K and has been released from jail without deportation. The story is not what I want to bring to your attention here. Firstly I wanted to bring to your attention to what struck me about the casual respect, if any for the equipment that these papp's (paparazzi)  have. There must be close to £10,000 just perched on the wall, not even pointed at the subject himself. It just looks like an accident waiting to happen. I hope that they are placed there with the thought that they will give some sort of capturing advantage. My only foresight of that being the case is some sort of remote shutter set up, or that the cameras are positioned there for an advantage over other papp's. 

Secondly what struck my about the image is the amount of photographic coverage that features in this single image. Photographers and their cameras flood this image in which I'm sure Abu will be using to his advantage as he appears to have a casual and acceptant manor to the media attention.  9/10 photographers shoot people of interest for some myself. This picture is a clear indication that this is not always the case. Abu appears to be using the media attention to gain public focus/attention to his story. I'm glad to see such a picture as this gives me a heads up, as I have not yet experienced a national public interest story to shoot. Its photography on another level which makes me really happy because it serves as a remainder, that I have only scratched the surface of my photographic career. There is still plenty of work out there for me to get. 

The second image bellow is from the recent conflict in Gaza. I wanted to bring focus to this image as I felt that it has been one of the best I have seen this year. If I could give an award I would hand it to the photographer of this image. It is by a photographer call Adel Hana who work features in the AP (associated press). 

"The AP is one of the largest and most trusted sources of independent news gathering, supplying a steady stream of news to its members, international subscribers and commercial customers. AP is neither privately owned nor government-funded; instead, as a not-for-profit news cooperative owned by its American newspaper and broadcast members, it can maintain its single-minded focus on news gathering and its commitment to the highest standards of objective, accurate journalism.

AP’s commitment to independent, comprehensive journalism has deep roots. Founded in 1846, AP has covered all the major news events of the past 165 years, providing high-quality, informed reporting of everything from wars and elections to championship games and royal weddings." - www.ap.org

Apart from National Geographic I would love to capture images for the AP, it would also be amazing. I think highly of this image because it is one that is engaging for a viewer. I felt that I was part of this group of young men in the middle of dealing with what they are going through. It is not your typical from the air news at 10 helicopter shot. It feels more personal than that. It feels that must have be taken from the perspective of someone who is caught up in the conflict itself. This gives me a much better understanding on how the world captures events just from the footage alone. We live in a world of political media interference and monitoring. Gaining accesses to actual independent footage is like gold.

 I like that the image puts the people as the main focus first over the surrounding destruction, which is presented in a tasteful display of focal depth. The images is both contextually and aesthetically giving intended to report and document a problem to the world. 

update

Good job I got a blog other wise I would feel like I wasn't getting much done. Blogs are great and I would recommend anyone having one for whatever thir interest might be. This entry feels more of a diary, but I will try to keep it as informative and useful as possible.

Currently I am waiting the grandaddy of all cameras to ever grace my own possession. The 60D! So close now, so very close. The question is how to buy? After my last experience with buying online saw me lose £500 to fraudsters, I do not want to repeat the same mistake twice. I have been saying that I will just have to buy direct from a shop to ensure maximum purchase safety. However this comes with a maximum price tag too, as high street shops need to make a profit. I posed my dilemma about buying my new camera to a fellow photographer who must have had over 20 years experience in the photography industry. You could say a photography guru to myself at the moment. He recommend a company called Hdew. The company has actual shops in the U.K that you can visit, which he said he has done a few times. He has also brought from them many times before without a snag. So with that in mind, I feel safer to purchase of this company online. Of course using a credit card just incase things go wrong.

Once I do have the new camera with HD video capability, it will allow me to work on film projects as well as photographic. At first this felt like cheating on photography. Why start creating video when you are a photographer? Have I just become less creative? Well no. I'm even more creative as I'm not just bound to photography. What I think is most important about this purchase is that I'm using my expertise to make an informative decision about investing into my business. I'm literately demanding more from my equipment, not just excepting what ever comes my way. I will apply this notion to all areas of my business, especially when it comes to the quality of my product. Suddenly the word 'Gallery' springs to mind. Fantastic. One of my biggest ambitions for a long time was to become an artist. But lets say I'm a good while off that. As such I did want to share a video I saw recently of Tracey Emin's Studio set-up, to illustrate just how far off I'm from becoming a serious artist. But I'm sure that her and myself would agree that my focus at this stage should be about myself and my journey in achieving my work. Instead I will share a few words from the artist herself that I felt where more valuable to me trying to achieve artistic status.

Memory - Sjambock

What starts as a simple idea turns into a few solid days for graft. Perfect. You know your doing something right when all that matters is the work in which your trying to produce and finish. In the zone! I haven't worked so soiled on something since uni. Memory - Sjambock was my test shoot with the canon 60d camera, which I'm dying to get my hands on. The video was as much a collaboration as a work of my own. Doubling as a music video for producer and dj Sjambock's memory track, it features new model Katie Dobbins. The plot of the video is very much lose and sketchy but dose not hinder from its appeal. However my aspirations to create a similar aesthetic to Rob Coin's "Up in smoke' videos, did not work out as well as I had hoped. I discovered that those kind of effects are achieved through experience.

In order to create the effects that I wanted, I had to get to grips with adobe after effects. Believe me understanding one adobe software program dose not mean you will understand another. What a overly complicated and hard to use program adobe after effects is! I found the experience of using it stressful rather than productive. All in all resulting in putting me off effects software all together. The classic rule of thumb comes into play, "get it right in camera 1st". It saves you loads of time trying to edit afterwards.

The shoot day was a very nice day out to the sand dunes. I love the place. Working more in depth with video took me back to my experimenting days with photography, trying to achieve my desired results but working it out the technicals as I go along. Working with Katie was a breeze and I would quite happily recommend her as a photography model to anyone. I also discovered that working with Sjambock was essential in the editing process as he was able to work out the sequencing the shots together.